This clever beauty from Magic Wagon is based upon one of Clarence Miller’s rare and sought after items called The Treasure Chest c. 2001.
Magic Wagon’s version is compact and works very consistently and handles four chips instead of Clarence’s three half dollars. There are no electronics and reset is instant. This is a good utility item and I think would work best as part of a bigger routine utilizing the four chips – instead of just showing the box doing the effect and moving on.
Another beautiful wooden prop from Louis Gaynor and what a clever beauty this is demonstrated by the still amazing Joe Stevens 🙂 This is a remake of the Lloyd Chambers and Floyd Thayer Obedient Ball c. 1941 which is described in Lloyd Chambers’ book Original Ideas in Magic and called The Spirit Ball.
What distinguishes this version of the classic Obedient Ball effect is that the 3″ diameter wooden ball has a huge 7/8″ hole directly through the center that you can clearly see through, and yet the ball still stops and starts under the complete control of the performer. And nothing is added or taken away – it is a very clever idea expertly recreated by Louis Gaynor that you will love.
The Elusive Rabbits or Hippity-Hop Rabbits was invented by The Great Norman (Norman Hazeldene) c. 1947.
This cute set from Vienna Magic are very similar in design and method to the stunning ones created by the highly talented German craftsman Horst Dieter Christ c. 1977. They are a great size for close-up and work very smoothly.
If you are looking for a version of Mental Epic true to Hen Fetsch’s original vision c. 1954 then you should look no further than this beauty released by Richard Osterlind. And even though Richard Osterlind often performs without a gimmicked board using his Ultra Board the three way prediction is much easier when performed the way Hen Fetsch described it using a gimmicked board like this.
It is the perfect size, looks beautiful and clear from a distance, and operates flawlessly.
There were only 2 or 3 sets of this wonderful prop created by the talented German Craftsman Tony Lackner and routined by the prolific Eckhard Boettcher. The props are beautiful and work perfectly, and much better than the similar copies made by Mikame Craft and others in later years. But what I really like most about the effect is it is one of the best versions of Bank Night I have seen.
Firstly, the spectator always wins so they are not disappointed when the envelope is opened.
Secondly, it looks like the magician looses at the same time.
Finally, the reveal of the other choices shows that the magician did win in the end, so everyone goes away happy 🙂
The method is totally clean and this really is a strong effect that can be seen easily in a parlor and small stage thanks to the large colored chips created by Tony.
John Ramsay’s Cylinder and Coins continues to stir the hearts and minds of magicians all around the world well over 70 years after it was first introduced to the world by Victor Farelli c. 1948 when he published John Ramsay’s Cylinder and Coins in a small photo-illustrated booklet. With the performance of Eric Mead on Penn & Teller in 2017 it seems to have been reinvigorated all over again.
If you wanted to have the best shot of actually mastering this effect without spending most of your life like Eric Mead has to master it then you could look no further than this beautiful set from Joe Porper and R. Paul Wilson c. 2004. Doesn’t mean it will be easy or you will succeed but you’ll have a shot and feel good about doing it too.
I grew up in the UK dreaming of owning some Jack Hughes effects. It was clear that the House of Hughes was producing some of the best magic around. I was able to buy a few of his items, but for the most part his effects were too expensive for my pocket.
Thirty years on, it is a wonderful pleasure to look through this impressive volume to relive so much of Jack’s magic. The Jack Hughes World of Magic Compilation Edition by Derek Lever was presented to the registrants of the 2012 FISM convention. It covers all three volumes that were released earlier by Derek Lever and gives very detailed instructions on how to build nearly all of the House of Hughes magic.
Designed originally by Rich Bloch and Nick Ruggiero; with exclusive permission from George J. Cook. This is the latest version newly redesigned by George Robinson in 2016 with new electronics and mechanics and now even more reliable than ever.
In early 2017 I finally received this extremely popular item from the Collectors’ Workshop line-up from my good friend George Robinson at Viking/CW. Unfortunately, due to a massive kitchen renovation, it was put away in a storage room for over two years and I did not uncover it until this morning.
Firstly, it is packed to withstand a bomb blast. These new custom PVC cases that George is using are amazing. I read the detailed instructions and then set about my first attempt to set this up. Like most multi-phase electro-mechanical props it takes a while the first time to get it right. George’s instructions are clear and detailed but it took a few moments to affix the rose. Everything else was straight forward. It uses 4 AA batteries and the ones it came with worked perfectly. Once you have set it up a couple of times you could easily go from case to fully assembled in ten minutes or less. This model works by sound or remote control and there is an enforced 7 second delay between events. The four basic events are:
Rose flies into the air
Tabletop tips over causing all the items to fall on the floor and exposes the selected (wrong) card
The pip flies off to reveal the correct card.
While testing this I ran through the full cycle ten times. The first one out of the gate was nearly perfect, except that the pip fell when the table fell. It turns out that there is a cover to hide jumbo card on the table and you have to make sure it doesn’t pull off the pip when it falls. This is covered in the instructions but I didn’t take it too seriously at first. You need to take it seriously. I ended up rolling the cover away from the card and it worked best that way. The one other issue I had was I did not set-up the rose properly so it did not fire. Otherwise things were very reliable. The last three attempts worked perfectly each time.
I ordered this because I have had plans for some time to do a stage/parlor show in 2020, instead of the normal close-up I perform for my company each year. The last one I did was back in 2010 . Unfortunately since the time I ordered this in 2017 I have decided not to do any more big stage sized shows, they are just too much work and I really enjoy the closeness and ease of the close-up performances of the last few years. Yes I’m getting too old 🙁
It is a shame because this is a beautiful routine and I know it would be perfect for me. This is the basic routine that Rich Bloch laid out thirty years ago, sheer comedy genius …
One of my favorite Alan Warner effects is Mini Mental and I still think it is one of the cleanest and cleverest pieces of mentalism that Alan (or anyone else) has produced. In 2016 Magic Wagon released their Elite Premonition which took Alan’s idea and made it easier to perform. The great German craftsman Will Wessel also created his wonderful version called Colored Number Blocks.
Now Thomas Pohle has released what is probably the cleverest version of all. It is different from all of the above versions and is easily the cleanest and most perplexing I have seen. No matter how closely you look everything looks 100% above board – you can look from all angles there is nothing to see and nothing to hide. And yet no matter which order of blocks and numbers the spectator chooses the magicians prediction is always correct.
Even if you are familiar with the other versions, you will likely still be fooled by this version. You will marvel at how smoothly this bad boy operates – it is amazing!
In 1994, Rich Block and Nick Ruggiero released one of the most prized creations in the Collectors’ Workshop stable: Silver Odyssey II. It was a real beauty to behold. Now Twenty-Five years later George Robinson has created Silver Odyssey III and it looks and works perfectly.
Internally it does not look quite as stunning – gone are all the gleaming brass and copper components – but noone but the performer ever saw this anyway and it now it works perfectly and more reliably than ever before. Like the previous versions it does not come with any way to vanish the coins (?). My suggestions would be to use one of these devices:
If you have ever dreamed of performing this effect then I suggest you contact George – he has already sold out twice this year and I don’t know how many more runs he will be making. It is most certainly the perfect Coins To Glass effect.
The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.