I’ve seen many versions of the Ed Massey effect Ribbon Fantastique and liked many of them because it is such a clean effect. However, this new version by my good friend Alan Warner is easily my favorite. It looks better than his early painted version, which was also a beauty, and thanks to the clever use of two plaques instead of one the effect is really quite remarkable.
It works basically the same way as the original, but now the spectator can choose either of the plaques and that is the only one that penetrates the shoelace and frame. Also because this unit is much smaller than the traditional versions it is easy to carry around and perform close-up.
If you don’t know how this works you will be very pleased as the method is simple and diabolical and a fooler for sure. It is instantly reset and there is nothing added or taken away.
I really love this new release by the Master of Mini-Magic: Alan Warner! If I have one complaint it would be: it is too cheap!
Highly Recommended for performers and collectors everywhere!
So Alan has two new releases for 2013 and they are both beauties. This one is a mental item with some lovely colored plaques of fruit.
The spectator can choose any of five pieces of fruit, with no force and each time the magician reveals that he had predicted in advance their choice. Yes this is a multiple-out effect, but unlike other similar effects this offers a free choice of five items, not three or four, and the revelations are much less convoluted than some I’ve seen in the past.
When I first opened this I thought great colorful props, but nothing too surprising here. Then I read on and I thought ah very clever! You really can give them the choice of any of the five fruits with no counting from left or right ruses. I think you will be very happy with this well priced mental effect .
This reminds me Alan Warner has many amazing effects available directly from him and most of his prices are still great value for great magic and craftsmanship you are getting. So check out some of his older items too on his first site here.
I was very disappointed in this product, and would not recommend it at all.
First off, I should say this looks great. It does look like an old timber, the aging and distressing is perfect. However that’s about it, a great looking piece of wood.
There are two "phases" to it’s movement one has you balance it on a bottle or other object and the second phase has you lean it up against an object at least as tall as it is long. The first major problem is it takes forever to move/topple. Definitely not a tv trick, this is something you have to set up, then tell a long story before it moves. Trying not to give the method away, the temperature affects it as well. if it’s a cold room you could be waiting a lot longer. when it eventually toppled over It left my audiences thinking it was the wind or something knocked the table. When you balance it on top of something you have to balance it very carefully, even with practice it looks like you are just setting it up to fall over when the wind blows. Very unimpressive to the audience.
I used this in close up performances and library shows perhaps 20 times over the winter season 2013. The timber never got a good reaction and was a poor effect in my show. It would be way better if you could determine when it would fall over. Most of the time after my rehearsed story was over I had to add lib until the dang thing toppled. A few times it fell over before my story was done and once the wind actually did knock it over!
This is a wonderful and well made prop. It looks incredible and is high quality.. I’ve enjoyed performing this effect at home for friends. The way it works is very nice, mechanical. There are a few downfalls however. (without giving anything away) A- if no ring is removed it is the same as if the center ring has been removed, so you have to ensure the spectator removes a coin. B – Difficult to perform in a darkened environment or if you have bad eyesight. C- the small box needs to be on a flat surface of some kind when the ring is removed. The ring can not be removed from the box while it is in the spectators hand.
Other than that, this is a wonderful piece of magic and I still recommend it. I’ve brought it with me when table hopping at a restaurant and it’s worked very well. The rings that come with the effect were beautiful. I did replace them with cheaper ones when taking this table hopping however. It also works with bits of paper notes or currency bills.
I have had this effect for a few years and I’ve found it’s one of my favorites. The wooden cup is well made, and looks and feels nice. The cards are okay. basically bicycle cards with stickers put on them. The spectator picks a card (force, and you can use any force you want really) and the cup is lifted and set aside to reveal a bottle of gin sitting under it. Then without going to your pocket for a load (ala cups and balls) you immediately lift the cup again to reveal a can of tonic. The method is nice and the bottle is full of gin, the can heavy/weighted and firm. Nothing flimsy. You could end with a pocket load and I’ve often shoved a lime in the cup when the tonic water was revealed. I recommend it for an older audience as no one under 40 I know even knows what gin and tonic is.
I owned this effect for a year. did not use it much at all
It’s a standard effect, and I’ve performed the trick many times with other versions. The effect always gets a great reaction I liked the well made quality of this one and the size made it great. Unfortunately the bunny is scary as Heck! I remember a child in one show called it my demon bunny trick. Needs a better paint job.
I own a small collection of trick locks, they are some of my favorite effects. The Keyrrect is one of my favorites (along with the Hemmingway lock) This effect involves a padlock and 7 keys. You have a spectator try six keys in the lock and none work, then you give him the seventh and it opens the padlock. Have him close the lock, mix the keys and in any way you like to reveal it you pick the key that opens the lock.
With Keyrrect after you identify the proper key (you don’t have to touch it or look at it) you may have the spectator open the padlock themselves.
For the sake of comparison with the Hemmingway lock, the performer is the only one who can use the key to open the lock.
The key to this effect is ensuring that the audience realizes all the keys were checked and only one opens the lock. It’s nice that the performer NEVER has to touch the keys at all. I’ve had alot of fun with this and usually have the spectator who checks the keys insert his wallet in a steel lock box then padlock it shut. When a key is eliminated it gets dropped in a slot in the box. It’s a great way to build suspense and get rid of the keys before the end.
This is a great opening effect. without saying a word, a spectator chooses a card from an image of many different cards, then the spectator spits out the card from his mouth!
I really liked this effect. The cards were funny and received many laughs. After a performance I’ve been asked to show the image of many cards again and I was able to quickly show it again to friends to prove there were many choices they could have made. This effect does require a confident performer as you have to do a bit of acting and facial expressions. It’s also best used as an opener because of the card in your mouth. You could possibly shove the card in your mouth later on in your show, but it’s challenging to do a silent effect after you’ve been performing and talking for some time. (unless your a mime )
Id recommend it to a confident experienced performer who was looking for a new, funny and unique opening effect for a close up or banquet type show for adults.
I love this lock and have performed it in every banquet show I’ve performed since I received it. This is a well made, heavy padlock that looks and feels great. The keys come with color collars for whatever presentation you like, however the colors can come off if you want to. With this lock the performer must open the lock, instead of the spectator. However the lock opens with a loud click and it’s large enough that everyone in an average sized audience can hear and see the lock opening.
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